With a visually light structure that blends into any setting, Avio skillfully balances spatial relationships and proportions. The two seat bench combines functional and aesthetic poise by contrasting the slim structural framework with the substantial volume of the upholstery.
Maya Lin’s collection of Stones, introduced in 1998 in celebration of Knoll’s 60th anniversary, reflects the famed architect’s signature subtlety. Used as either stools or side tables, the stones are a colorful addition to the playroom or patio.
Originally designed for Knoll in 1982, the Mercer table expresses the designer’s deep familiarity with stone as well as her sculptural sensitivity. Geometrically pure and formal in design, yet emotionally expressive, the Mercer table exhibits a precise, thoughtfully considered form with exquisite balance and proportion. Reintroduced in 2018.
The MR Collection represents some of the earliest steel furniture designs by Mies van der Rohe. Four examples of the MR side table were included in the famous Tugendhat house. The design has been manufactured by Knoll since 1977.
Like his Wassily and Cesca chairs, Marcel Breuer’s Laccio Tables are critical to the story of 20th-century design. Breuer’s use of tubular steel to define lines in space—beautifully exhibited in these simple nesting tables—revolutionized furniture construction and inspired many subsequent generations of designers.
The Washington Corona Coffee Table reflects David Adjaye's architectural and sculptural vision on a new scale. The table is constructed from four die-cast aluminum panels, connected by aluminum connector plates and stainless steel hardware. The interior of the panels are finished in a smooth gloss black powder coat paint, contrasting the matte textured black powder coat paint exterior.
Designed as part of the Washington Collection for Knoll™, the Prism Side Table complements the Prism Lounge Chair and Ottoman, using geometry and pattern to define form. The pieces are intended as sculptural or architectural objects that can be viewed from any side.
Drawing inspiration from traditional designs, but updated with an industrialized craft aesthetic, the Krusin End Table complements the Krusin Lounge and Side Chairs. Like the chairs, the tables leave no joint unresolved and no angle unconsidered, resulting in a subtle elegance that harmonizes with any setting.
The Splay-Leg Table exemplifies George Nakashima’s talent for synthesizing traditional influences and modern simplicity. Featuring low-sheen finishes that amplify the natural grain, the table showcases Nakashima’s deference to the natural beauty of wood nature and his legendary craftsmanship.
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